IV. THE CONTEXT IN THE GOSPELS: A TRADITION OF SUBTLE SEDITION
Subtle sedition refers to scenes throughout the Gospels which were not overtly treasonous and would not have directly threatened Roman authorities, but which delivered political messages that first century Jewish audiences would have immediately recognized. The Gospels are replete with instances of subtle sedition. Pointing these out is not to argue that Jesus saw Himself as a political king. Jesus makes it explicit in John 18:36 that He is not a political Messiah. Rather, in the context of subtle sedition, no one can interpret the Tribute Episode as Jesus’ support of taxation. To the contrary, one can only understand the Tribute Episode as Jesus’ opposition to the illicit Roman taxes.
In addition to the Tribute Episode, three other scenes from the Gospels serve as examples of subtle sedition: (1) Jesus’ temptation in the desert; (2) Jesus walking on water; and (3) Jesus curing the Gerasene demoniac.
A. EMPERORS OF BREAD AND CIRCUSES
Around 200 A.D., the Roman satirist Juvenal lamented that the Roman emperors, masters of the known world, tenuously maintained political power by way of "panem et circenses," or "bread and circuses," a reference to the ancient practice of pandering to Roman citizens by providing free wheat and costly circus spectacles. Caesar Augustus, for example, boasted of feeding more than 100,000 men from his personal granary. He also bragged of putting on tremendous exhibitions:
Three times I gave shows of gladiators under my name and five times under the name of my sons and grandsons; in these shows about 10,000 men fought. * * * Twenty-six times, under my name or that of my sons and grandsons, I gave the people hunts of African beasts in the circus, in the open, or in the amphitheater; in them about 3,500 beasts were killed. I gave the people a spectacle of a naval battle, in the place across the Tiber where the grove of the Caesars is now, with the ground excavated in length 1,800 feet, in width 1,200, in which thirty beaked ships, biremes or triremes, but many smaller, fought among themselves; in these ships about 3,000 men fought in addition to the rowers.
By the time of Jesus and the reign of Tiberius Caesar, the Roman grain dole routinely fed 200,000 people.
At the beginning of Jesus’ ministry, the Spirit led Him into the desert "to be tempted by the devil." The devil challenged Him with three tests. First, he dared Jesus to turn stones into bread. Second, the devil took Jesus to the highest point on the temple in Jerusalem and tempted Him to cast Himself down to force the angels into a spectacular, miraculous rescue. Finally, for the last temptation, "the devil took him up to a very high mountain, and showed him all the kingdoms of the world in their magnificence, and he said to him, ‘All these I shall give to you, if you will prostrate yourself and worship me.’"
The devil dared Jesus to be a king of bread and circuses and offered Him dominion over the whole earthly world. These temptations are an instantly recognizable reference to the power of the Roman emperors. Jesus forcefully rejects this power. Jesus’ rejection illustrates that the things of God and the things of Rome/the world/the devil are mutually exclusive. Jesus’ allegiance was to the things of God, and His rebuff of the metaphorical power of Rome is an example of subtle sedition.
B. TREADING UPON THE EMPEROR’S SEAS
At the beginning of Chapter 6 in St. John’s Gospel, Jesus performs a miracle and feeds 5,000 people from five loaves of bread; He then refuses to be crowned a king of bread and circuses. Immediately thereafter, St. John recounts the episode of Jesus walking on a body of water in the middle of a storm. That body of water was the Sea of Galilee, which, St. John reminds his readers, was also known as the Sea of Tiberias. Around 25 A.D., Herod Antipas built a pagan city on the western shore of the Sea of Galilee and named it in honor of the Roman emperor, Tiberius. By Jesus’ time, the city had become so important that the Sea of Galilee came to be called the "Sea of Tiberias." Thus, not only does Jesus refuse to be coronated a Roman king of bread and circuses, but He literally treads upon the emperor’s seas, showing that even the emperor’s waters have no dominion over Him. Treading on the emperor’s seas is an additional instance of subtle sedition.
C. A LEGION OF DEMONS
St. Mark details Jesus’ encounter with the Gerasene demoniac in another example of subtle sedition. The territory of the Gerasenes was pagan territory, and this particular demoniac was exceptionally strong and frightening. In attempting to exorcise the demon, Jesus asked its name. The demon replied, "Legion is my name. There are many of us." Jesus then expels the demons and casts them into a herd of swine. The herd immediately drive themselves into the sea. First century readers would have been well-acquainted with the name, "Legion." At that time, an imperial legion was roughly 6,000 soldiers. Thus, the demon "Legion," an agent of the devil, was a thinly-veiled reference to the Roman occupiers of Judaea. Swine were considered unclean animals under Jewish law. The symbol of the Roman Legion which occupied Jerusalem was a boar. The first century audience would have easily grasped the symbolism of Jesus’ casting the demon Legion into the herd of unclean swine, and the herd driving itself into the sea. Thus, the healing of the Gerasene demoniac is another example of subtle sedition.
D. TRIBUTE AS SUBTLE SEDITION
In the Tribute Episode, Jesus’ response is subtly seditious. The first-century audience would have immediately apprehended what it meant to render unto God the things that are God’s. They would have known that the things of God and Caesar were mutually exclusive. No Jewish listener would have mistaken Jesus’ response as an endorsement of paying Caesar’s taxes. To the contrary, His audience would have understood that Jesus thought the tribute was illicit. Indeed, opposition to the tribute was one of the charges the authorities levied at His trial, "They brought charges against him, saying, ‘We found this man misleading our people; he opposes the payment of taxes to Caesar and maintains that he is the Messiah, a king.’" To the Roman audience, however, the pronouncement of rendering unto Caesar what is Caesar’s sounds benign, almost supportive. It is, however, one of many vignettes of covert political protest contained in the Gospels. In short, the Tribute Episode is a subtle form of sedition. When viewed in this context, no one can say that the Episode supports the payment of taxes.
V. WHAT DOES THE CATHOLIC CHURCH SAY?
The Catholic Church considers Herself the authoritative interpreter of Sacred Scripture. The 1994 Catechism of the Catholic Church "is a statement of the Church’s faith and of catholic doctrine, attested to or illumined by Sacred Scripture, the Apostolic Tradition, and the Church’s Magisterium."
The 1994 Catechism instructs the faithful that it is morally obligatory to pay one’s taxes for the common good. (What the definition of the "common good" is may be left for a different debate.) The 1994 Catechism also quotes and cites the Tribute Episode. But the 1994 Catechism does NOT use the Tribute Episode to support the proposition that it is morally obligatory to pay taxes. Instead, the 1994 Catechism refers the Tribute Episode only to justify acts of civil disobedience. It quotes St. Matthew’s version to teach that a Christian must refuse to obey political authority when that political authority makes a demand contrary to the demands of the moral order, the fundamental rights of persons, or the teachings of the Gospel. Similarly, the 1994 Catechism also cites to St. Mark’s version to instruct that a person "should not submit his personal freedom in an absolute manner to any earthly power, but only to God the Father and the Lord Jesus Christ: Caesar is not ‘the Lord.’" Thus, according to the 1994 Catechism, the Tribute Episode stands for the proposition that a Christian owes his allegiance to God and to the things of God alone. If the Tribute Episode unequivocally supported the proposition that it is morally obligatory to pay taxes, the 1994 Catechism would not hesitate to cite to it for that position. That the 1994 Catechism does not interpret the Tribute Episode as a justification for the payment of taxes suggests that such an interpretation is not an authoritative reading of the passage. In short, even the Catholic Church does not understand the Tribute Episode to mean that Jesus endorsed paying Caesar’s taxes.
V. CONCLUSION
St. John’s Gospel recounts the scene of a woman caught in adultery, brought before Jesus by the Pharisees so that they might "test" Him "so that they could have some charge to bring against Him." When asked, "‘Teacher, this woman was caught in the very act of committing adultery. Now in the law, Moses commanded us to stone such women. So what do you say,’" Jesus appears trapped by only two answers: the strict, legally-correct answer of the Pharisees, or the mercifully-right, morally-correct, but technically-illegal answer undermining Jesus’ authority as a Rabbi. Notably, Jesus never does overtly respond to the question posed to Him; instead of answering, "Jesus bent down and began to write on the ground with his finger." When pressed by His inquisitors, He finally answers, "‘Let the one among you who is without sin be the first to throw a stone at her,’" and, of course, the shamed Pharisees all leave one by one. Jesus then refuses to condemn the woman.
The scene of the woman caught in adultery and the Tribute Episode are similar. In both, Jesus is faced with a hostile question challenging His credibility as a Rabbi. In each, the hostile question has two answers: one answer which the audience knows is morally correct, but politically incorrect, and the other answer which the audience knows is wrong, but politically correct. In the scene of the woman caught in adultery, no one roots for Jesus to say, "Stone her!" Everyone wants to see Jesus extend the woman mercy. Likewise, in the Tribute Episode, no one hopes Jesus answers, "Pay tribute to the pagan, Roman oppressors!" The Tribute Episode, like the scene of the woman caught in adultery, has a "right" answer – it is not licit to pay the tribute. But Jesus cannot give this "right" answer without running afoul of the Roman government. Instead, in both Gospel accounts, Jesus gives a quick-witted, but ultimately ambiguous, response which exposes the hypocrisy of His interrogators rather than overtly answers the underlying question posed by them. Nevertheless, in each instance, the audience can infer the right answer embedded in Jesus’ response.
Over the centuries, theologians, scholars, laymen, and potentates have interpreted the Tribute Episode incorrectly as Jesus’ support for the payment of taxes. First, this interpretation does not square with the political climate of the times. The Tribute Episode is set in the middle of a decades-old tax-revolt against Caesar’s tribute. Second, the rhetorical structure of the Tribute Episode, itself, contradicts any interpretation that Jesus supported paying taxes. Third, the Gospels contain episode after episode of subtle sedition. The Tribute Episode is just another of these subtly seditious scenes. When seen in the context of subtle sedition, the phrase "Render unto Caesar the things that are Caesar’s," means that the emperor is owed nothing. Finally, the Catechism of the Catholic Church, the authoritative interpreter of Sacred Scripture, does not construe the Tribute Episode to support the proposition that it is morally obligatory to pay one’s taxes. Indeed, it interprets the Tribute Episode to mean the exact opposite – that Christians are obliged to disobey Caesar when Caesar’s dictates violate God’s law. In sum, the pro-tax position of the Tribute Episode is not supportable historically, rhetorically, contextually, or within the confines of the Catholic Church’s own understanding. As Dorothy Day is reputed to have said, "If we rendered unto God all the things that belong to God, there would be nothing left for Caesar."
Jeff Barr practices law in Las Vegas, Nevada. He received a Master's Degree in Business Administration from UNLV where he took classes from Hans-Hermann Hoppe and Murray Rothbard.
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